Trade Supplier of Greetings Cards
Orwell Press Art Publishing are a Trade Supplier of Postcards, producing Fine Art Greetings Cards and Postcards of works by local, well known and established artists of Suffolk, Sussex, Oxford, Cambridge and London, as well as a selection of General Artworks
New Greetings Cards
By Laura Knight
Stack Building, Malvern Hills
Greeting Card Code:
SG555
By Cedric Morris
Spring Flowers|1931
Greeting Card Code:
SG554
By Edward Bawden
Off to Windmill Hill
Greeting Card Code:
SG553
By Lucian Freud
Daffodils and Celery|1946
Greeting Card Code:
SG552
By Nina Hamnett
Still Life Flowers and Pallette|c.1921
Greeting Card Code:
SG551
By Nina Hamnett
Portrait of a Woman
Greeting Card Code:
SG550
By Ditz
Walking the Dog
Greeting Card Code:
SG549
By Ditz
The Carpet-Cat
Greeting Card Code:
SG548
By Debbie Urquhart
You Promised
Greeting Card Code:
SG547
By Eric Ravilious
Two Women Sitting in a Garden|1933
Greeting Card Code:
SG546
Featured Artists
Glynn Thomas
Glynn Thomas was born in Cambridge in 1946. He studied at the Cambridge School of Art and then, for some twelve years, taught printmaking at the Ipswich School of Art. He is now a full time artist living in Suffolk. Glynn is a Fellow of the Royal Society of Painter-Printmakers and his work has been exhibited in galleries and museums throughout the country. Perhaps the most striking feature of his style is his impatient eagerness to embrace every feature of his subject even if this means defying visual convention. As Nicholas Butler has written, 'The perspective is cockeyed, note a few of the buildings are lying on their sides in their eagerness to be included, but there, in a single, friendly print, is the essence of the place.'
Heywood Hardy
Heywood Hardy was a British painter. Born in Chichester, Sussex. He studied at the École des Beaux-Arts in Paris. Upon returning to England, Hardy’s work became popular and he received many commissions from the estates of his wealthy patrons. He went on to become a member of The Royal Society of Painters and Etchers, The Royal Institute of Oil Painters, and The Royal Society of Portrait Painters. He also worked as an illustrator for several publications, including The Illustrated London News and The Graphic Magazine. In the last years of his life, Hardy made a controversial shift from sensitive animal subjects to biblical scenes of Christ walking in the Sussex countryside. Today, his works are in the collections of the Philadelphia Museum of Art, the Manchester City Art Gallery, and the Bury Art Museum, among others.
Bernard Cheese
Bernard Cheese studied at Beckenham School of Art and, following four years in the army, studied in London at the Royal College of Art from 1947, where his teachers included Edward Bawden. He taught printmaking at St Martin’s School of Art from 1950 to 1968, then at Goldsmiths College from 1970 to 1978, and Central School of Art and Design (1980–89). He designed posters for London Transport. He also did commissions for Guinness and the BBC. In the 1950s he moved to the artists’ community of Great Bardfield in Essex. His works are in the collections of the Tate, the Victoria and Albert Museum, the British Royal Collection, the British Government Art Collection, the New York Museum of Modern Art, and the New York Public Library.
August Macke
August Macke was a German Expressionist painter and one of the leading members of the group Der Blaue Reiter (The Blue Rider). Macke studied at the Düsseldorf Academy from 1904 to 1906. During his first trip to Paris in 1907 he was profoundly influenced by the work of the Impressionist painters. In 1909 Macke again visted Paris and on this
trip discovered the work of Henri Matisse and the other Fauve artists. This convinced Macke to use brighter, less-naturalistic colours, applied in broad brushstrokes. In 1911 Macke joined Der Blaue Reiter, which had been founded by Franz Marc and Wassily Kandinsky. In 1912 Macke met the French painter Robert Delaunay, who worked in a colourful Cubistinfluenced style. Subsequently, Macke introduced a Cubist style into his own paintings.
