The Thames above Chelsea, Greeting Card by Laura Knight - Featured on Desktop Devices The Thames above Chelsea, Greeting Card by Laura Knight - Featured on Mobile Devices
Laura Knight The Thames above Chelsea
Daffodils, Greeting Card by Rachel Clark - Featured on Desktop Devices Daffodils, Greeting Card by Rachel Clark - Featured on Mobile Devices
Rachel Clark Daffodils
May Sun, Greeting Card by Jozef Mehoffer - Featured on Desktop Devices May Sun, Greeting Card by Jozef Mehoffer - Featured on Mobile Devices
Jozef Mehoffer May Sun
Game of Tennis, Greeting Card by Spencer Frederick Gore - Featured on Desktop Devices Game of Tennis, Greeting Card by Spencer Frederick Gore - Featured on Mobile Devices
Spencer Frederick Gore Game of Tennis
Hikers at Goodwood Downs, Greeting Card by George Henry - Featured on Desktop Devices Hikers at Goodwood Downs, Greeting Card by George Henry - Featured on Mobile Devices
George Henry Hikers at Goodwood Downs
A Village in a Valley, Malvern Hills, Greeting Card by Laura Knight - Featured on Desktop Devices A Village in a Valley, Malvern Hills, Greeting Card by Laura Knight - Featured on Mobile Devices
Laura Knight A Village in a Valley, Malvern Hills

Art Greetings Cards

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Featured Artists

Picnic on the Beach, Greeting Card by August Macke - Thumbnail

August Macke

August Macke was a German Expressionist painter and one of the leading members of the group Der Blaue Reiter (The Blue Rider). Macke studied at the Düsseldorf Academy from 1904 to 1906. During his first trip to Paris in 1907 he was profoundly influenced by the work of the Impressionist painters. In 1909 Macke again visted Paris and on this trip discovered the work of Henri Matisse and the other Fauve artists. This convinced Macke to use brighter, less-naturalistic colours, applied in broad brushstrokes. In 1911 Macke joined Der Blaue Reiter, which had been founded by Franz Marc and Wassily Kandinsky. In 1912 Macke met the French painter Robert Delaunay, who worked in a colourful Cubistinfluenced style. Subsequently, Macke introduced a Cubist style into his own paintings.
Erskine Returning at Dawn, Greeting Card by Tirzah Ravilious - Thumbnail

Tirzah Ravilious

Tirzah was born in Gillingham, Kent. After finishing school she attended the Eastbourne School of Art from 1925-1928. It was here that she met Eric Ravilious. In 1928 she moved to London and studied at the Central School of Art. Tirzah was a skilled wood engraver; She was commissioned to produce woodcuts for Kynoch Press and the BBC. Tirzah and Eric married in 1930. In 1931 they left London and moved to rural Essex where they started a family. She gave up her art to raise their children and to support Eric with his career. Thankfully Tirzah’s work is now starting to get the recognition it deserves.
Cromer, Greeting Card by Glynn Thomas - Thumbnail

Glynn Thomas

Glynn Thomas was born in Cambridge in 1946. He studied at the Cambridge School of Art and then, for some twelve years, taught printmaking at the Ipswich School of Art. He is now a full time artist living in Suffolk. Glynn is a Fellow of the Royal Society of Painter-Printmakers and his work has been exhibited in galleries and museums throughout the country. Perhaps the most striking feature of his style is his impatient eagerness to embrace every feature of his subject even if this means defying visual convention. As Nicholas Butler has written, 'The perspective is cockeyed, note a few of the buildings are lying on their sides in their eagerness to be included, but there, in a single, friendly print, is the essence of the place.'
Oast-houses, Greeting Card by Cedric Morris - Thumbnail

Cedric Morris

Cedric Morris was a British artist, art teacher and plantsman. He was born in Swansea in South Wales, but worked mainly in East Anglia. Cedric grew up in Sketty, South Wales. On leaving school he spent his younger years intermittently abroad, regularly travelling across Europe and North Africa, whilst renting studios in Cornwall, Paris and London. In the 1930s, Cedric and his partner, the artist Arthur Lett-Haines made Suffolk their permanent base, moving to Pound Farm in Higham where his garden became much admired. Morris developed a post-Impressionist style for portraits, landscapes and highly decorative style for still-life.

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