Robin in the Winter Snow, Greeting Card by Fred Cuming - Featured on Desktop Devices Robin in the Winter Snow, Greeting Card by Fred Cuming - Featured on Mobile Devices
Fred Cuming Robin in the Winter Snow
Blackbird, Greeting Card by Mary Fedden - Featured on Desktop Devices Blackbird, Greeting Card by Mary Fedden - Featured on Mobile Devices
Mary Fedden Blackbird
Snowmen, Greeting Card by Ditz   - Featured on Desktop Devices Snowmen, Greeting Card by Ditz   - Featured on Mobile Devices
Ditz Snowmen
Hikers at Goodwood Downs, Greeting Card by George Henry - Featured on Desktop Devices Hikers at Goodwood Downs, Greeting Card by George Henry - Featured on Mobile Devices
George Henry Hikers at Goodwood Downs
Horses in the Snow, Greeting Card by Louise Waugh - Featured on Desktop Devices Horses in the Snow, Greeting Card by Louise Waugh - Featured on Mobile Devices
Louise Waugh Horses in the Snow
New Year Snow, Greeting Card by Eric Ravilious - Featured on Desktop Devices New Year Snow, Greeting Card by Eric Ravilious - Featured on Mobile Devices
Eric Ravilious New Year Snow

Art Greetings Cards

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Featured Artists

Polstead, Suffolk, Greeting Card by Cedric Morris - Thumbnail

Cedric Morris

Cedric Morris was a British artist, art teacher and plantsman. He was born in Swansea in South Wales, but worked mainly in East Anglia. Cedric grew up in Sketty, South Wales. On leaving school he spent his younger years intermittently abroad, regularly travelling across Europe and North Africa, whilst renting studios in Cornwall, Paris and London. In the 1930s, Cedric and his partner, the artist Arthur Lett-Haines made Suffolk their permanent base, moving to Pound Farm in Higham where his garden became much admired. Morris developed a post-Impressionist style for portraits, landscapes and highly decorative style for still-life.
Southwold Lighthouse (detail), Greeting Card by Glynn Thomas - Thumbnail

Glynn Thomas

Glynn Thomas was born in Cambridge in 1946. He studied at the Cambridge School of Art and then, for some twelve years, taught printmaking at the Ipswich School of Art. He is now a full time artist living in Suffolk. Glynn is a Fellow of the Royal Society of Painter-Printmakers and his work has been exhibited in galleries and museums throughout the country. Perhaps the most striking feature of his style is his impatient eagerness to embrace every feature of his subject even if this means defying visual convention. As Nicholas Butler has written, 'The perspective is cockeyed, note a few of the buildings are lying on their sides in their eagerness to be included, but there, in a single, friendly print, is the essence of the place.'
Henrietta and Julian by the Garden Pool at Charleston, Greeting Card by Vanessa Bell - Thumbnail

Vanessa Bell

Vanessa Bell was an English painter, member of the Bloomsbury Group and the sister of Virginia Woolf. In 1904, Vanessa and her siblings moved to Bloomsbury, where they met and began socialising with the artists, writers and intellectuals who would become known as the Bloomsbury Group. In 1907, she married fellow Bloomsbury member Clive Bell. Vanessa, Clive, the painter Duncan Grant and the writer David Garnett moved to the Sussex countryside shortly before the outbreak of the First World War, and settled at Charleston Farmhouse near Firle. In 1912, alongside Picasso and Matisse, Bell exhibited her work in the Second Post-Impressionist Exhibition at the Grafton Galleries, London.
Self-Portrait with Thorn Necklace and Hummingbird, Greeting Card by Frida Kahlo - Thumbnail

Frida Kahlo

Frida Kahlo was a Mexican painter known for her portraits, self-portraits, and works inspired by the nature of Mexico. Kahlo had been a promising student headed for medical school until she suffered a bus accident at the age of 18, which caused her lifelong pain and medical problems. During her recovery, she returned to her childhood interest in art. In 1927 Kahlo met fellow Mexican artist Diego Rivera. The couple married in 1929, and spent the late 1920s and early 1930s travelling in Mexico and the United States together. During this time, she developed her artistic style. In 1938 the artist André Breton arranged for Kahlo’s first solo exhibition at the Julien Levy Gallery in New York in 1938; the exhibition was a success, and was followed by another in Paris in 1939. From the exhibition The Louvre purchased a painting from Kahlo, The Frame, making her the first Mexican artist to be featured in their collection. Kahlo’s work as an artist remained relatively unknown until the late 1970s, when her work was rediscovered by art historians and political activists.

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