Art Greetings Cards
New Greetings Cards
By Fred Cuming
Robin in the Winter Snow
Greeting Card Code:
SG593
By Claude Monet
The Magpie (a snow-covered landscape, Etretat)|1869
Greeting Card Code:
SG592
By Ditz
Snowmen
Greeting Card Code:
SG591
By Eric Ravilious
New Year Snow|1935
Greeting Card Code:
SG590
By Martin Truefitt-Baker
Blustery Day Badger
Greeting Card Code:
SG589
By Eric Ravilious
Caravans|1936
Greeting Card Code:
SG586
By Eric Ravilious
Windmill|1934
Greeting Card Code:
SG585
By Samuel Palmer
Otford Church
Greeting Card Code:
SG584
By Samuel Palmer
The Weald of Kent|c.1827-28
Greeting Card Code:
SG583
By Edward Arthur Walton
Autumn Sunshine|1884
Greeting Card Code:
SG582
Featured Artists
Dame Elizabeth Blackadder
Dame Elizabeth Blackadder is a Scottish painter and printmaker. She is the first woman to be elected to both the Royal Scottish Academy and the Royal Academy. She studied at Edinburgh College of Art and then in 1962 began teaching there and continued until her retirement in 1986. Blackadder works in a variety of media such as oil paints, watercolour, drawing and printmaking. She paints portraits and landscapes but her later work contains mainly flowers and her cats. Regular trips abroad, particularly to Japan, helped stimulate her interest in colour and pattern. Her work can be seen at the Tate Gallery, the Scottish National Gallery of Modern Art, and the Museum of Modern Art in New York, and has appeared on a series of Royal Mail stamps.
Eric Ravilious
Eric Ravilious was an artist, illustrator and designer specialising in watercolour paintings of the British countryside, most famously of Sussex. Ravilious had a special connection to the area, as he grew up there and studied at the Eastbourne School of Art. He went on to study at the Royal College of Art and later became one of the most popular artists of the 1930s.
Bernard Cheese
Bernard Cheese studied at Beckenham School of Art and, following four years in the army, studied in London at the Royal College of Art from 1947, where his teachers included Edward Bawden. He taught printmaking at St Martin’s School of Art from 1950 to 1968, then at Goldsmiths College from 1970 to 1978, and Central School of Art and Design (1980–89). He designed posters for London Transport. He also did commissions for Guinness and the BBC. In the 1950s he moved to the artists’ community of Great Bardfield in Essex. His works are in the collections of the Tate, the Victoria and Albert Museum, the British Royal Collection, the British Government Art Collection, the New York Museum of Modern Art, and the New York Public Library.
Glynn Thomas
Glynn Thomas was born in Cambridge in 1946. He studied at the Cambridge School of Art and then, for some twelve years, taught printmaking at the Ipswich School of Art. He is now a full time artist living in Suffolk. Glynn is a Fellow of the Royal Society of Painter-Printmakers and his work has been exhibited in galleries and museums throughout the country. Perhaps the most striking feature of his style is his impatient eagerness to embrace every feature of his subject even if this means defying visual convention. As Nicholas Butler has written, 'The perspective is cockeyed, note a few of the buildings are lying on their sides in their eagerness to be included, but there, in a single, friendly print, is the essence of the place.'
