Trade Supplier of Post Cards
Orwell Press Art Publishing are a Trade Supplier of Postcards, producing Fine Art Greetings Cards and Postcards of works by local, well known and established artists of Suffolk, Sussex, Oxford, Cambridge and London, as well as a selection of General Artworks
New Greetings Cards
By Fred Cuming
Robin in the Winter Snow
Greeting Card Code:
SG593
By Claude Monet
The Magpie (a snow-covered landscape, Etretat)|1869
Greeting Card Code:
SG592
By Ditz
Snowmen
Greeting Card Code:
SG591
By Eric Ravilious
New Year Snow|1935
Greeting Card Code:
SG590
By Martin Truefitt-Baker
Blustery Day Badger
Greeting Card Code:
SG589
By Eric Ravilious
Caravans|1936
Greeting Card Code:
SG586
By Eric Ravilious
Windmill|1934
Greeting Card Code:
SG585
By Samuel Palmer
Otford Church
Greeting Card Code:
SG584
By Samuel Palmer
The Weald of Kent|c.1827-28
Greeting Card Code:
SG583
By Edward Arthur Walton
Autumn Sunshine|1884
Greeting Card Code:
SG582
Featured Artists
Frida Kahlo
Frida Kahlo was a Mexican painter known for her portraits, self-portraits, and
works inspired by the nature of Mexico. Kahlo had been a promising student
headed for medical school until she suffered a bus accident at the age of 18,
which caused her lifelong pain and medical problems. During her recovery, she
returned to her childhood interest in art. In 1927 Kahlo met fellow Mexican
artist Diego Rivera. The couple married in 1929, and spent the late 1920s and
early 1930s travelling in Mexico and the United States together. During this
time, she developed her artistic style. In 1938 the artist André Breton arranged
for Kahlo’s first solo exhibition at the Julien Levy Gallery in New York in 1938;
the exhibition was a success, and was followed by another in Paris in 1939.
From the exhibition The Louvre purchased a painting from Kahlo, The Frame,
making her the first Mexican artist to be featured in their collection. Kahlo’s
work as an artist remained relatively unknown until the late 1970s, when her
work was rediscovered by art historians and political activists.
Glynn Thomas
Glynn Thomas was born in Cambridge in 1946. He studied at the Cambridge School of Art and then, for some twelve years, taught printmaking at the Ipswich School of Art. He is now a full time artist living in Suffolk. Glynn is a Fellow of the Royal Society of Painter-Printmakers and his work has been exhibited in galleries and museums throughout the country. Perhaps the most striking feature of his style is his impatient eagerness to embrace every feature of his subject even if this means defying visual convention. As Nicholas Butler has written, 'The perspective is cockeyed, note a few of the buildings are lying on their sides in their eagerness to be included, but there, in a single, friendly print, is the essence of the place.'
Dame Elizabeth Blackadder
Dame Elizabeth Blackadder is a Scottish painter and printmaker. She is the first woman to be elected to both the Royal Scottish Academy and the Royal Academy. She studied at Edinburgh College of Art and then in 1962 began teaching there and continued until her retirement in 1986. Blackadder works in a variety of media such as oil paints, watercolour, drawing and printmaking. She paints portraits and landscapes but her later work contains mainly flowers and her cats. Regular trips abroad, particularly to Japan, helped stimulate her interest in colour and pattern. Her work can be seen at the Tate Gallery, the Scottish National Gallery of Modern Art, and the Museum of Modern Art in New York, and has appeared on a series of Royal Mail stamps.
Laura Knight
Dame Laura knight was an English landscape and figurative painter. Laura studied at Nottingham School of Art in 1900, where she met Harold Knight. After marrying in 1903, they joined an artists' colony at Staithes, Yorkshire, before moving in 1908 to Newlyn, Cornwall. In 1936 she became only the second woman elected to full membership of the Royal Academy. Her large retrospective exhibition at the Royal Academy in 1965 was the first for a woman. In her long career, Knight was among the most successful and popular painters in Britain. Her success in the male-dominated British art establishment paved the way for greater status and recognition for women artists. She was also greatly interested in, and inspired by, marginalised communities and individuals, including Romani people and circus performers.
