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Edward Hopper was born in Nyack, New York. After leaving high school he studied at the New York School of Art. In 1906 he visited Paris and became influenced by the impressionists. In 1910 Hopper returned to New York and in the following years painted some of his most recognisable paintings. In 1923 he married Josephine. Although they lived in New York they spent much of their time and most of their summers in Massachusetts where he painted the architecture and the landscapes in and around Cape Cod.

Cedric Morris was a British artist, art teacher and plantsman. He was born in Swansea in South Wales, but worked mainly in East Anglia. Cedric grew up in Sketty, South Wales. On leaving school he spent his younger years intermittently abroad, regularly travelling across Europe and North Africa, whilst renting studios in Cornwall, Paris and London. In the 1930s, Cedric and his partner, the artist Arthur Lett-Haines made Suffolk their permanent base, moving to Pound Farm in Higham where his garden became much admired. Morris developed a post-Impressionist style for portraits, landscapes and highly decorative style for still-life.

Dame Laura knight was an English landscape and figurative painter. Laura studied at Nottingham School of Art in 1900, where she met Harold Knight. After marrying in 1903, they joined an artists' colony at Staithes, Yorkshire, before moving in 1908 to Newlyn, Cornwall. In 1936 she became only the second woman elected to full membership of the Royal Academy. Her large retrospective exhibition at the Royal Academy in 1965 was the first for a woman. In her long career, Knight was among the most successful and popular painters in Britain. Her success in the male-dominated British art establishment paved the way for greater status and recognition for women artists. She was also greatly interested in, and inspired by, marginalised communities and individuals, including Romani people and circus performers.

Edward Bawden was a successful and prolific English printmaker, graphic designer, illustrator and painter. He studied at the School of Art in Cambridge (1919-22) and at the Design School of the Royal College of Art (1922-6), where he was a contemporary of Eric Ravilious and was taught by Paul Nash.