Robin in the Winter Snow, Greeting Card by Fred Cuming - Featured on Desktop Devices Robin in the Winter Snow, Greeting Card by Fred Cuming - Featured on Mobile Devices
Fred Cuming Robin in the Winter Snow
Downs in Winter, Greeting Card by Eric Ravilious - Featured on Desktop Devices Downs in Winter, Greeting Card by Eric Ravilious - Featured on Mobile Devices
Eric Ravilious Downs in Winter
Ice Hockey, Greeting Card by Laura Knight - Featured on Desktop Devices Ice Hockey, Greeting Card by Laura Knight - Featured on Mobile Devices
Laura Knight Ice Hockey
Hikers at Goodwood Downs, Greeting Card by George Henry - Featured on Desktop Devices Hikers at Goodwood Downs, Greeting Card by George Henry - Featured on Mobile Devices
George Henry Hikers at Goodwood Downs
Winter Afternoon, Greeting Card by John Northcote Nash - Featured on Desktop Devices Winter Afternoon, Greeting Card by John Northcote Nash - Featured on Mobile Devices
John Northcote Nash Winter Afternoon
Horses in the Snow, Greeting Card by Louise Waugh - Featured on Desktop Devices Horses in the Snow, Greeting Card by Louise Waugh - Featured on Mobile Devices
Louise Waugh Horses in the Snow

Oxford Postcards

Orwell Press produce and supply a range of Greetings Cards featuring artwork of Oxford, as well as other parts of the UK by well known UK based artists.

New Greetings Cards

Featured Artists

Right-Hand Apple-Cat, Greeting Card by Ditz   - Thumbnail

Ditz

Austrian artist Ditz paints house pets and farm animals, often in domestic settings or grouped together. Her distinctive style has evolved over time to include highly detailed, quirky, small-scale images.
Aldeburgh Beach, Greeting Card by Glynn Thomas - Thumbnail

Glynn Thomas

Glynn Thomas was born in Cambridge in 1946. He studied at the Cambridge School of Art and then, for some twelve years, taught printmaking at the Ipswich School of Art. He is now a full time artist living in Suffolk. Glynn is a Fellow of the Royal Society of Painter-Printmakers and his work has been exhibited in galleries and museums throughout the country. Perhaps the most striking feature of his style is his impatient eagerness to embrace every feature of his subject even if this means defying visual convention. As Nicholas Butler has written, 'The perspective is cockeyed, note a few of the buildings are lying on their sides in their eagerness to be included, but there, in a single, friendly print, is the essence of the place.'
Corn Stooks by Bray Church, Greeting Card by Heywood Hardy - Thumbnail

Heywood Hardy

Heywood Hardy was a British painter. Born in Chichester, Sussex. He studied at the École des Beaux-Arts in Paris. Upon returning to England, Hardy’s work became popular and he received many commissions from the estates of his wealthy patrons. He went on to become a member of The Royal Society of Painters and Etchers, The Royal Institute of Oil Painters, and The Royal Society of Portrait Painters. He also worked as an illustrator for several publications, including The Illustrated London News and The Graphic Magazine. In the last years of his life, Hardy made a controversial shift from sensitive animal subjects to biblical scenes of Christ walking in the Sussex countryside. Today, his works are in the collections of the Philadelphia Museum of Art, the Manchester City Art Gallery, and the Bury Art Museum, among others.
Peach Blossom, Greeting Card by Laura Knight - Thumbnail

Laura Knight

Dame Laura knight was an English landscape and figurative painter. Laura studied at Nottingham School of Art in 1900, where she met Harold Knight. After marrying in 1903, they joined an artists' colony at Staithes, Yorkshire, before moving in 1908 to Newlyn, Cornwall. In 1936 she became only the second woman elected to full membership of the Royal Academy. Her large retrospective exhibition at the Royal Academy in 1965 was the first for a woman. In her long career, Knight was among the most successful and popular painters in Britain. Her success in the male-dominated British art establishment paved the way for greater status and recognition for women artists. She was also greatly interested in, and inspired by, marginalised communities and individuals, including Romani people and circus performers.

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