Postcards Trade Supplier
Orwell Press Art Publishing are a Trade Supplier of Postcards, producing Fine Art Greetings Cards and Postcards of works by local, well known and established artists of Suffolk, Sussex, Oxford, Cambridge and London, as well as a selection of General Artworks
New Greetings Cards
By Fred Cuming
Robin in the Winter Snow
Greeting Card Code:
SG593
By Claude Monet
The Magpie (a snow-covered landscape, Etretat)|1869
Greeting Card Code:
SG592
By Ditz
Snowmen
Greeting Card Code:
SG591
By Eric Ravilious
New Year Snow|1935
Greeting Card Code:
SG590
By Martin Truefitt-Baker
Blustery Day Badger
Greeting Card Code:
SG589
By Eric Ravilious
Caravans|1936
Greeting Card Code:
SG586
By Eric Ravilious
Windmill|1934
Greeting Card Code:
SG585
By Samuel Palmer
Otford Church
Greeting Card Code:
SG584
By Samuel Palmer
The Weald of Kent|c.1827-28
Greeting Card Code:
SG583
By Edward Arthur Walton
Autumn Sunshine|1884
Greeting Card Code:
SG582
Featured Artists
Cedric Morris
Cedric Morris was a British artist, art teacher and plantsman. He was born in Swansea in South Wales, but worked mainly in East Anglia. Cedric grew up in Sketty, South Wales. On leaving school he spent his younger years intermittently abroad, regularly travelling across Europe and North Africa, whilst renting studios in
Cornwall, Paris and London. In the 1930s, Cedric and his partner, the artist Arthur Lett-Haines made Suffolk their permanent base, moving to Pound Farm in Higham where his garden became much admired. Morris developed a post-Impressionist style for portraits, landscapes and highly decorative style for still-life.
Frida Kahlo
Frida Kahlo was a Mexican painter known for her portraits, self-portraits, and
works inspired by the nature of Mexico. Kahlo had been a promising student
headed for medical school until she suffered a bus accident at the age of 18,
which caused her lifelong pain and medical problems. During her recovery, she
returned to her childhood interest in art. In 1927 Kahlo met fellow Mexican
artist Diego Rivera. The couple married in 1929, and spent the late 1920s and
early 1930s travelling in Mexico and the United States together. During this
time, she developed her artistic style. In 1938 the artist André Breton arranged
for Kahlo’s first solo exhibition at the Julien Levy Gallery in New York in 1938;
the exhibition was a success, and was followed by another in Paris in 1939.
From the exhibition The Louvre purchased a painting from Kahlo, The Frame,
making her the first Mexican artist to be featured in their collection. Kahlo’s
work as an artist remained relatively unknown until the late 1970s, when her
work was rediscovered by art historians and political activists.
Bernard Cheese
Bernard Cheese studied at Beckenham School of Art and, following four years in the army, studied in London at the Royal College of Art from 1947, where his teachers included Edward Bawden. He taught printmaking at St Martin’s School of Art from 1950 to 1968, then at Goldsmiths College from 1970 to 1978, and Central School of Art and Design (1980–89). He designed posters for London Transport. He also did commissions for Guinness and the BBC. In the 1950s he moved to the artists’ community of Great Bardfield in Essex. His works are in the collections of the Tate, the Victoria and Albert Museum, the British Royal Collection, the British Government Art Collection, the New York Museum of Modern Art, and the New York Public Library.
Glynn Thomas
Glynn Thomas was born in Cambridge in 1946. He studied at the Cambridge School of Art and then, for some twelve years, taught printmaking at the Ipswich School of Art. He is now a full time artist living in Suffolk. Glynn is a Fellow of the Royal Society of Painter-Printmakers and his work has been exhibited in galleries and museums throughout the country. Perhaps the most striking feature of his style is his impatient eagerness to embrace every feature of his subject even if this means defying visual convention. As Nicholas Butler has written, 'The perspective is cockeyed, note a few of the buildings are lying on their sides in their eagerness to be included, but there, in a single, friendly print, is the essence of the place.'
