Bluebell Wood Fox, Greeting Card by Martin Truefitt-Baker - Featured on Desktop Devices Bluebell Wood Fox, Greeting Card by Martin Truefitt-Baker - Featured on Mobile Devices
Martin Truefitt-Baker Bluebell Wood Fox
Hikers at Goodwood Downs, Greeting Card by George Henry - Featured on Desktop Devices Hikers at Goodwood Downs, Greeting Card by George Henry - Featured on Mobile Devices
George Henry Hikers at Goodwood Downs
Seaside Cottages with Dovecot, Greeting Card by Edward Arthur Walton - Featured on Desktop Devices Seaside Cottages with Dovecot, Greeting Card by Edward Arthur Walton - Featured on Mobile Devices
Edward Arthur Walton Seaside Cottages with Dovecot
Fruit and Flowers, Greeting Card by Biddy Picard - Featured on Desktop Devices Fruit and Flowers, Greeting Card by Biddy Picard - Featured on Mobile Devices
Biddy Picard Fruit and Flowers
Children on the Beach, St. Ives, Greeting Card by Stanhope Alexander Forbes - Featured on Desktop Devices Children on the Beach, St. Ives, Greeting Card by Stanhope Alexander Forbes - Featured on Mobile Devices
Stanhope Alexander Forbes Children on the Beach, St. Ives
Two Fish on a Plate, Greeting Card by Biddy Picard - Featured on Desktop Devices Two Fish on a Plate, Greeting Card by Biddy Picard - Featured on Mobile Devices
Biddy Picard Two Fish on a Plate

Greeting Cards Trade Supplier

Orwell Press Art Publishing are a Trade Supplier of Greetings Cards, producing Fine Art Greetings Cards and Postcards of works by local, well known and established artists of Suffolk, Sussex, Oxford, Cambridge and London, as well as a selection of General Artworks

New Greetings Cards

Featured Artists

Flowers in Feering, Greeting Card by Cedric Morris - Thumbnail

Cedric Morris

Cedric Morris was a British artist, art teacher and plantsman. He was born in Swansea in South Wales, but worked mainly in East Anglia. Cedric grew up in Sketty, South Wales. On leaving school he spent his younger years intermittently abroad, regularly travelling across Europe and North Africa, whilst renting studios in Cornwall, Paris and London. In the 1930s, Cedric and his partner, the artist Arthur Lett-Haines made Suffolk their permanent base, moving to Pound Farm in Higham where his garden became much admired. Morris developed a post-Impressionist style for portraits, landscapes and highly decorative style for still-life.
Blackbird and Crab Apples (Mixed Media), Greeting Card by Linda Richardson - Thumbnail

Linda Richardson

Linda Richardson is an Essex born artist-printmaker who has now made her home on the beautiful Shetland Islands. After a 2 year foundation course, Linda studied printmaking at the Colchester School of Art, 1976-1979. She still has close ties with East Anglia but now finds inspiration from the wildlife and varied landscape that Shetland provides. Her printmaking encompasses both linocuts and etching. As a painter she works in acrylic, watercolour or mixed media.
The Blue Boat (pulled up on Aldeburgh beach), Greeting Card by Bernard Cheese - Thumbnail

Bernard Cheese

Bernard Cheese studied at Beckenham School of Art and, following four years in the army, studied in London at the Royal College of Art from 1947, where his teachers included Edward Bawden. He taught printmaking at St Martin’s School of Art from 1950 to 1968, then at Goldsmiths College from 1970 to 1978, and Central School of Art and Design (1980–89). He designed posters for London Transport. He also did commissions for Guinness and the BBC. In the 1950s he moved to the artists’ community of Great Bardfield in Essex. His works are in the collections of the Tate, the Victoria and Albert Museum, the British Royal Collection, the British Government Art Collection, the New York Museum of Modern Art, and the New York Public Library.
Cley-Next-The-Sea, Greeting Card by Glynn Thomas - Thumbnail

Glynn Thomas

Glynn Thomas was born in Cambridge in 1946. He studied at the Cambridge School of Art and then, for some twelve years, taught printmaking at the Ipswich School of Art. He is now a full time artist living in Suffolk. Glynn is a Fellow of the Royal Society of Painter-Printmakers and his work has been exhibited in galleries and museums throughout the country. Perhaps the most striking feature of his style is his impatient eagerness to embrace every feature of his subject even if this means defying visual convention. As Nicholas Butler has written, 'The perspective is cockeyed, note a few of the buildings are lying on their sides in their eagerness to be included, but there, in a single, friendly print, is the essence of the place.'

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