Post Cards Trade Supplier
Orwell Press Art Publishing are a Trade Supplier of Postcards, producing Fine Art Greetings Cards and Postcards of works by local, well known and established artists of Suffolk, Sussex, Oxford, Cambridge and London, as well as a selection of General Artworks
New Greetings Cards
By Fred Cuming
Robin in the Winter Snow
Greeting Card Code:
SG593
By Claude Monet
The Magpie (a snow-covered landscape, Etretat)|1869
Greeting Card Code:
SG592
By Ditz
Snowmen
Greeting Card Code:
SG591
By Eric Ravilious
New Year Snow|1935
Greeting Card Code:
SG590
By Martin Truefitt-Baker
Blustery Day Badger
Greeting Card Code:
SG589
By Eric Ravilious
Caravans|1936
Greeting Card Code:
SG586
By Eric Ravilious
Windmill|1934
Greeting Card Code:
SG585
By Samuel Palmer
Otford Church
Greeting Card Code:
SG584
By Samuel Palmer
The Weald of Kent|c.1827-28
Greeting Card Code:
SG583
By Edward Arthur Walton
Autumn Sunshine|1884
Greeting Card Code:
SG582
Featured Artists
John Northcote Nash
John Northcote Nash was the younger brother of surrealist landscape artist Paul Nash.
Nash never received any formal art training. However, his elder brother Paul, who had studied at the Slade School of Art, encouraged him to develop his skills. A joint exhibition with Paul in 1913 was successful, and John was invited to become a founder-member of the London Group in 1914. From 1916 to 1918, Nash volunteered with the Artists Rifles in the First World War. At his brother’s recommendation, he became an official war artist. After the war He became a teacher, taking a position at the Ruskin School of Drawing and Fine Art in Oxford from 1924 to 1929. In 1929, he bought a summer cottage in Essex, where he would turn his efforts to painting picturesque East Anglian landscapes.
Bernard Cheese
Bernard Cheese studied at Beckenham School of Art and, following four years in the army, studied in London at the Royal College of Art from 1947, where his teachers included Edward Bawden. He taught printmaking at St Martin’s School of Art from 1950 to 1968, then at Goldsmiths College from 1970 to 1978, and Central School of Art and Design (1980–89). He designed posters for London Transport. He also did commissions for Guinness and the BBC. In the 1950s he moved to the artists’ community of Great Bardfield in Essex. His works are in the collections of the Tate, the Victoria and Albert Museum, the British Royal Collection, the British Government Art Collection, the New York Museum of Modern Art, and the New York Public Library.
Frida Kahlo
Frida Kahlo was a Mexican painter known for her portraits, self-portraits, and
works inspired by the nature of Mexico. Kahlo had been a promising student
headed for medical school until she suffered a bus accident at the age of 18,
which caused her lifelong pain and medical problems. During her recovery, she
returned to her childhood interest in art. In 1927 Kahlo met fellow Mexican
artist Diego Rivera. The couple married in 1929, and spent the late 1920s and
early 1930s travelling in Mexico and the United States together. During this
time, she developed her artistic style. In 1938 the artist André Breton arranged
for Kahlo’s first solo exhibition at the Julien Levy Gallery in New York in 1938;
the exhibition was a success, and was followed by another in Paris in 1939.
From the exhibition The Louvre purchased a painting from Kahlo, The Frame,
making her the first Mexican artist to be featured in their collection. Kahlo’s
work as an artist remained relatively unknown until the late 1970s, when her
work was rediscovered by art historians and political activists.
Harold Harvey
Harold Harvey was a Newlyn School painter who painted scenes of Cornish fishermen, farmers and miners and Cornish landscapes. He was born in Penzance and trained at the Penzance School of Arts and the Académie Julian in Paris. After completing his schooling in Paris, Harvey returned to Penzance and began working as an artist. In 1911, Harvey married fellow artist Gertrude Bodinnar and they settled in Newlyn. Gertrude became an artist in her own right in a wide range of visual and textile arts. Harvey never achieved his due critical acclaim. However, he was a regular exhibitor at the Royal Academy from 1898-1941 and held several one-man exhibitions in London, at the Mendoza Galleries, Barbizon House and the Leicester Galleries.
