May Sun, Greeting Card by Jozef Mehoffer - Featured on Desktop Devices May Sun, Greeting Card by Jozef Mehoffer - Featured on Mobile Devices
Jozef Mehoffer May Sun
Seaside Cottages with Dovecot, Greeting Card by Edward Arthur Walton - Featured on Desktop Devices Seaside Cottages with Dovecot, Greeting Card by Edward Arthur Walton - Featured on Mobile Devices
Edward Arthur Walton Seaside Cottages with Dovecot
Golden Morning Hares, Greeting Card by Martin Truefitt-Baker - Featured on Desktop Devices Golden Morning Hares, Greeting Card by Martin Truefitt-Baker - Featured on Mobile Devices
Martin Truefitt-Baker Golden Morning Hares
Children on the Beach, St. Ives, Greeting Card by Stanhope Alexander Forbes - Featured on Desktop Devices Children on the Beach, St. Ives, Greeting Card by Stanhope Alexander Forbes - Featured on Mobile Devices
Stanhope Alexander Forbes Children on the Beach, St. Ives
Fruit and Flowers, Greeting Card by Biddy Picard - Featured on Desktop Devices Fruit and Flowers, Greeting Card by Biddy Picard - Featured on Mobile Devices
Biddy Picard Fruit and Flowers

Post Cards Trade Supplier

Orwell Press Art Publishing are a Trade Supplier of Postcards, producing Fine Art Greetings Cards and Postcards of works by local, well known and established artists of Suffolk, Sussex, Oxford, Cambridge and London, as well as a selection of General Artworks

New Greetings Cards

Featured Artists

Astrantia, Sea Holly & Fuchsia in a Painted Pot, Greeting Card by Vanessa Bell - Thumbnail

Vanessa Bell

Vanessa Bell was an English painter, member of the Bloomsbury Group and the sister of Virginia Woolf. In 1904, Vanessa and her siblings moved to Bloomsbury, where they met and began socialising with the artists, writers and intellectuals who would become known as the Bloomsbury Group. In 1907, she married fellow Bloomsbury member Clive Bell. Vanessa, Clive, the painter Duncan Grant and the writer David Garnett moved to the Sussex countryside shortly before the outbreak of the First World War, and settled at Charleston Farmhouse near Firle. In 1912, alongside Picasso and Matisse, Bell exhibited her work in the Second Post-Impressionist Exhibition at the Grafton Galleries, London.
Blue Girl Reading, Greeting Card by August Macke - Thumbnail

August Macke

August Macke was a German Expressionist painter and one of the leading members of the group Der Blaue Reiter (The Blue Rider). Macke studied at the Düsseldorf Academy from 1904 to 1906. During his first trip to Paris in 1907 he was profoundly influenced by the work of the Impressionist painters. In 1909 Macke again visted Paris and on this trip discovered the work of Henri Matisse and the other Fauve artists. This convinced Macke to use brighter, less-naturalistic colours, applied in broad brushstrokes. In 1911 Macke joined Der Blaue Reiter, which had been founded by Franz Marc and Wassily Kandinsky. In 1912 Macke met the French painter Robert Delaunay, who worked in a colourful Cubistinfluenced style. Subsequently, Macke introduced a Cubist style into his own paintings.
Hotel Lobby (detail), Greeting Card by Edward  Hopper - Thumbnail

Edward Hopper

Edward Hopper was born in Nyack, New York. After leaving high school he studied at the New York School of Art. In 1906 he visited Paris and became influenced by the impressionists. In 1910 Hopper returned to New York and in the following years painted some of his most recognisable paintings. In 1923 he married Josephine. Although they lived in New York they spent much of their time and most of their summers in Massachusetts where he painted the architecture and the landscapes in and around Cape Cod.
The Malvern Hills, Greeting Card by Laura Knight - Thumbnail

Laura Knight

Dame Laura knight was an English landscape and figurative painter. Laura studied at Nottingham School of Art in 1900, where she met Harold Knight. After marrying in 1903, they joined an artists' colony at Staithes, Yorkshire, before moving in 1908 to Newlyn, Cornwall. In 1936 she became only the second woman elected to full membership of the Royal Academy. Her large retrospective exhibition at the Royal Academy in 1965 was the first for a woman. In her long career, Knight was among the most successful and popular painters in Britain. Her success in the male-dominated British art establishment paved the way for greater status and recognition for women artists. She was also greatly interested in, and inspired by, marginalised communities and individuals, including Romani people and circus performers.

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