The Bee Houses, Greeting Card by Pam Grimmond - Featured on Desktop Devices The Bee Houses, Greeting Card by Pam Grimmond - Featured on Mobile Devices
Pam Grimmond The Bee Houses
Fruit and Flowers, Greeting Card by Biddy Picard - Featured on Desktop Devices Fruit and Flowers, Greeting Card by Biddy Picard - Featured on Mobile Devices
Biddy Picard Fruit and Flowers
Hikers at Goodwood Downs, Greeting Card by George Henry - Featured on Desktop Devices Hikers at Goodwood Downs, Greeting Card by George Henry - Featured on Mobile Devices
George Henry Hikers at Goodwood Downs
The Bee Garden, Greeting Card by Pam Grimmond - Featured on Desktop Devices The Bee Garden, Greeting Card by Pam Grimmond - Featured on Mobile Devices
Pam Grimmond The Bee Garden
Children on the Beach, St. Ives, Greeting Card by Stanhope Alexander Forbes - Featured on Desktop Devices Children on the Beach, St. Ives, Greeting Card by Stanhope Alexander Forbes - Featured on Mobile Devices
Stanhope Alexander Forbes Children on the Beach, St. Ives
The Garden at Arles, Greeting Card by Vincent Van Gogh - Featured on Desktop Devices The Garden at Arles, Greeting Card by Vincent Van Gogh - Featured on Mobile Devices
Vincent Van Gogh The Garden at Arles

Post Card Supplier

Orwell Press Art Publishing are a Trade Supplier of Postcards, producing Fine Art Greetings Cards and Postcards of works by local, well known and established artists of Suffolk, Sussex, Oxford, Cambridge and London, as well as a selection of General Artworks

New Greetings Cards

Featured Artists

Louis on a Silk Cushion, Greeting Card by Dame Elizabeth Blackadder - Thumbnail

Dame Elizabeth Blackadder

Dame Elizabeth Blackadder is a Scottish painter and printmaker. She is the first woman to be elected to both the Royal Scottish Academy and the Royal Academy. She studied at Edinburgh College of Art and then in 1962 began teaching there and continued until her retirement in 1986. Blackadder works in a variety of media such as oil paints, watercolour, drawing and printmaking. She paints portraits and landscapes but her later work contains mainly flowers and her cats. Regular trips abroad, particularly to Japan, helped stimulate her interest in colour and pattern. Her work can be seen at the Tate Gallery, the Scottish National Gallery of Modern Art, and the Museum of Modern Art in New York, and has appeared on a series of Royal Mail stamps.
Tobogganing, Greeting Card by Ditz   - Thumbnail

Ditz

Austrian artist Ditz paints house pets and farm animals, often in domestic settings or grouped together. Her distinctive style has evolved over time to include highly detailed, quirky, small-scale images.
Picnic on the Beach, Greeting Card by August Macke - Thumbnail

August Macke

August Macke was a German Expressionist painter and one of the leading members of the group Der Blaue Reiter (The Blue Rider). Macke studied at the Düsseldorf Academy from 1904 to 1906. During his first trip to Paris in 1907 he was profoundly influenced by the work of the Impressionist painters. In 1909 Macke again visted Paris and on this trip discovered the work of Henri Matisse and the other Fauve artists. This convinced Macke to use brighter, less-naturalistic colours, applied in broad brushstrokes. In 1911 Macke joined Der Blaue Reiter, which had been founded by Franz Marc and Wassily Kandinsky. In 1912 Macke met the French painter Robert Delaunay, who worked in a colourful Cubistinfluenced style. Subsequently, Macke introduced a Cubist style into his own paintings.
Southwold Beach Huts, Greeting Card by Glynn Thomas - Thumbnail

Glynn Thomas

Glynn Thomas was born in Cambridge in 1946. He studied at the Cambridge School of Art and then, for some twelve years, taught printmaking at the Ipswich School of Art. He is now a full time artist living in Suffolk. Glynn is a Fellow of the Royal Society of Painter-Printmakers and his work has been exhibited in galleries and museums throughout the country. Perhaps the most striking feature of his style is his impatient eagerness to embrace every feature of his subject even if this means defying visual convention. As Nicholas Butler has written, 'The perspective is cockeyed, note a few of the buildings are lying on their sides in their eagerness to be included, but there, in a single, friendly print, is the essence of the place.'

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