Horses in the Snow, Greeting Card by Louise Waugh - Featured on Desktop Devices Horses in the Snow, Greeting Card by Louise Waugh - Featured on Mobile Devices
Louise Waugh Horses in the Snow
Winter Afternoon, Greeting Card by John Northcote Nash - Featured on Desktop Devices Winter Afternoon, Greeting Card by John Northcote Nash - Featured on Mobile Devices
John Northcote Nash Winter Afternoon
The Magpie (a snow-covered landscape, Etretat), Greeting Card by Claude Monet - Featured on Desktop Devices The Magpie (a snow-covered landscape, Etretat), Greeting Card by Claude Monet - Featured on Mobile Devices
Claude Monet The Magpie (a snow-covered landscape, Etretat)
Downs in Winter, Greeting Card by Eric Ravilious - Featured on Desktop Devices Downs in Winter, Greeting Card by Eric Ravilious - Featured on Mobile Devices
Eric Ravilious Downs in Winter
New Year Snow, Greeting Card by Eric Ravilious - Featured on Desktop Devices New Year Snow, Greeting Card by Eric Ravilious - Featured on Mobile Devices
Eric Ravilious New Year Snow
Blackbird, Greeting Card by Mary Fedden - Featured on Desktop Devices Blackbird, Greeting Card by Mary Fedden - Featured on Mobile Devices
Mary Fedden Blackbird

Art Postcards

Orwell Press Art Publishing are a Trade Supplier of Postcards, producing Fine Art Greetings Cards and Postcards of works by local, well known and established artists of Suffolk, Sussex, Oxford, Cambridge and London, as well as a selection of General Artworks

New Greetings Cards

Featured Artists

Cromer, Greeting Card by Glynn Thomas - Thumbnail

Glynn Thomas

Glynn Thomas was born in Cambridge in 1946. He studied at the Cambridge School of Art and then, for some twelve years, taught printmaking at the Ipswich School of Art. He is now a full time artist living in Suffolk. Glynn is a Fellow of the Royal Society of Painter-Printmakers and his work has been exhibited in galleries and museums throughout the country. Perhaps the most striking feature of his style is his impatient eagerness to embrace every feature of his subject even if this means defying visual convention. As Nicholas Butler has written, 'The perspective is cockeyed, note a few of the buildings are lying on their sides in their eagerness to be included, but there, in a single, friendly print, is the essence of the place.'
Sea Watchers, Greeting Card by Edward  Hopper - Thumbnail

Edward Hopper

Edward Hopper was born in Nyack, New York. After leaving high school he studied at the New York School of Art. In 1906 he visited Paris and became influenced by the impressionists. In 1910 Hopper returned to New York and in the following years painted some of his most recognisable paintings. In 1923 he married Josephine. Although they lived in New York they spent much of their time and most of their summers in Massachusetts where he painted the architecture and the landscapes in and around Cape Cod.
Woman Reading in a Garden, Greeting Card by Harold Harvey - Thumbnail

Harold Harvey

Harold Harvey was a Newlyn School painter who painted scenes of Cornish fishermen, farmers and miners and Cornish landscapes. He was born in Penzance and trained at the Penzance School of Arts and the Académie Julian in Paris. After completing his schooling in Paris, Harvey returned to Penzance and began working as an artist. In 1911, Harvey married fellow artist Gertrude Bodinnar and they settled in Newlyn. Gertrude became an artist in her own right in a wide range of visual and textile arts. Harvey never achieved his due critical acclaim. However, he was a regular exhibitor at the Royal Academy from 1898-1941 and held several one-man exhibitions in London, at the Mendoza Galleries, Barbizon House and the Leicester Galleries.
Picnic on the Beach, Greeting Card by August Macke - Thumbnail

August Macke

August Macke was a German Expressionist painter and one of the leading members of the group Der Blaue Reiter (The Blue Rider). Macke studied at the Düsseldorf Academy from 1904 to 1906. During his first trip to Paris in 1907 he was profoundly influenced by the work of the Impressionist painters. In 1909 Macke again visted Paris and on this trip discovered the work of Henri Matisse and the other Fauve artists. This convinced Macke to use brighter, less-naturalistic colours, applied in broad brushstrokes. In 1911 Macke joined Der Blaue Reiter, which had been founded by Franz Marc and Wassily Kandinsky. In 1912 Macke met the French painter Robert Delaunay, who worked in a colourful Cubistinfluenced style. Subsequently, Macke introduced a Cubist style into his own paintings.

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