Greeting Cards Publisher
Orwell Press Art Publishing are a Trade Supplier of Postcards, producing Fine Art Greetings Cards and Postcards of works by local, well known and established artists of Suffolk, Sussex, Oxford, Cambridge and London, as well as a selection of General Artworks
New Greetings Cards
By Pam Grimmond
The Bee Houses
Greeting Card Code:
SG619
By Pam Grimmond
The Bee Garden
Greeting Card Code:
SG618
By Pam Grimmond
Flight
Greeting Card Code:
SG617
By Martin Truefitt-Baker
Golden Morning Hares
Greeting Card Code:
SG616
By Martin Truefitt-Baker
Bluebell Wood Fox
Greeting Card Code:
SG615
By Vincent Van Gogh
The Garden at Arles|1888
Greeting Card Code:
SG614
By Stanhope Alexander Forbes
The Pond|1930
Greeting Card Code:
SG613
By Stanhope Alexander Forbes
Children on the Beach, St. Ives|1886
Greeting Card Code:
SG612
By George Henry
Sussex Landscape with Cattle|1930
Greeting Card Code:
SG611
By Edward Arthur Walton
Seaside Cottages with Dovecot
Greeting Card Code:
SG610
Featured Artists
Dame Elizabeth Blackadder
Dame Elizabeth Blackadder is a Scottish painter and printmaker. She is the first woman to be elected to both the Royal Scottish Academy and the Royal Academy. She studied at Edinburgh College of Art and then in 1962 began teaching there and continued until her retirement in 1986. Blackadder works in a variety of media such as oil paints, watercolour, drawing and printmaking. She paints portraits and landscapes but her later work contains mainly flowers and her cats. Regular trips abroad, particularly to Japan, helped stimulate her interest in colour and pattern. Her work can be seen at the Tate Gallery, the Scottish National Gallery of Modern Art, and the Museum of Modern Art in New York, and has appeared on a series of Royal Mail stamps.
Glynn Thomas
Glynn Thomas was born in Cambridge in 1946. He studied at the Cambridge School of Art and then, for some twelve years, taught printmaking at the Ipswich School of Art. He is now a full time artist living in Suffolk. Glynn is a Fellow of the Royal Society of Painter-Printmakers and his work has been exhibited in galleries and museums throughout the country. Perhaps the most striking feature of his style is his impatient eagerness to embrace every feature of his subject even if this means defying visual convention. As Nicholas Butler has written, 'The perspective is cockeyed, note a few of the buildings are lying on their sides in their eagerness to be included, but there, in a single, friendly print, is the essence of the place.'
Laura Knight
Dame Laura knight was an English landscape and figurative painter. Laura studied at Nottingham School of Art in 1900, where she met Harold Knight. After marrying in 1903, they joined an artists' colony at Staithes, Yorkshire, before moving in 1908 to Newlyn, Cornwall. In 1936 she became only the second woman elected to full membership of the Royal Academy. Her large retrospective exhibition at the Royal Academy in 1965 was the first for a woman. In her long career, Knight was among the most successful and popular painters in Britain. Her success in the male-dominated British art establishment paved the way for greater status and recognition for women artists. She was also greatly interested in, and inspired by, marginalised communities and individuals, including Romani people and circus performers.
John Northcote Nash
John Northcote Nash was the younger brother of surrealist landscape artist Paul Nash.
Nash never received any formal art training. However, his elder brother Paul, who had studied at the Slade School of Art, encouraged him to develop his skills. A joint exhibition with Paul in 1913 was successful, and John was invited to become a founder-member of the London Group in 1914. From 1916 to 1918, Nash volunteered with the Artists Rifles in the First World War. At his brother’s recommendation, he became an official war artist. After the war He became a teacher, taking a position at the Ruskin School of Drawing and Fine Art in Oxford from 1924 to 1929. In 1929, he bought a summer cottage in Essex, where he would turn his efforts to painting picturesque East Anglian landscapes.
